Why we don’t need to rebrand Christianity or reimagine church

With the ongoing mudslide of many mega churches and the grassroots attempt to rebrand Christianity, many believers are focusing on Biblically external corrective measures for the church.

However, the survival of the Christian faith and believers living a society-impacting church life, historically, has not depended on professional marketing or hip adaptations of Christ’s teachings to make them more relevant. These have hurt more than helped.

God’s word has prevailed during the last 2,000 years because of its essence- spirit (John 6:63). God doesn’t need us to breathe fresh life into a failing institutional system. He wants us to breathe God in as the Spirit through His word. God gives the Spirit without measure.

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On Language, the Bible, and Blog Posts

Although all humans share the creative use of language, it seems that not all of us are using it. Especially in today’s social-media saturated world, where the ephemeral nature of conversation is touted, the art of writing well or of producing something to be read at length is vanishing. This is most alarming to writers, but also to the rest of us who still want to communicate beyond chat boxes, text messages, or the 140 characters of a tweet.

Many people don’t actually read anymore, they scan. The difference is whether or not you are actively processing information and emotionally responding to it or whether you’re just getting an eye exercise out of the event.

In writing a blog you want to find some means to engage your reader. And if you are blogging about what really matters this is all the more important. Style, rhythm, vocabulary, syntax, metaphor are all part of the linguistic devices that can accomplish this. The goal is not to merely communicate information. This could be done more efficiently through bulleted lists, and it certainly would demand less of the reader. But there is something to the creative manipulation of words that is worth our effort.

Christ Himself in His eternal preexistence is the Logos or Word. The written Word of God came to us authored by God as a book, not as a neatly packaged creed or a logically ordered outline. Even truths such as justification or the nature of God are not collected altogether for our convenience. No book of the Bible is entitled, On Knowing God or The Basics of Salvation. The divine truths are scattered and hidden throughout all 66 books of the Bible like the pieces of a jigsaw puzzle, “here a little, there a little (Isaiah 28:10).”

Even the two original languages, Hebrew and Greek, that were employed to pen the Scriptures seem ordained by God.

The Old Testament is a figurative portrait of God’s eternal economy and the Hebrew language is perfectly suited to accomplish this. Hebrew is a pictorial language in which events are not merely described but verbally painted. It is vivid, concise, and simple and relies more on observation than reflection. With Psalm 23:1, English requires 9 words to translate the 4 Hebrew words. The entire chapter in Hebrew only contains 55 words, where as most English versions need 113.

The New Testaments is the practical fulfillment of God’s eternal economy as the caption under the picture, describing the reality, in Christ, of what was typified in the Old Testament, and Greek again fits the bill. The distinguishing characteristics of the Greek language are its strength, clarity, and richness. It is well suited for the doctrinal precision that elucidates the divine realities. For example, the definite article alone can inflect 24 different ways according to gender, number, and case. The result is loaded sentences that are tagged with lots of information to clarify what is being modified, referred to, who is doing the action, etc. Not much is left to guess work.

A great example is Ephesians 6:17,

And receive the helmet of salvation and the sword of the Spirit, which is the word of God.

Most people think the word of God here refers back to the sword, aka that the word of God is the sword. And people casually refer to the Bible as their sword, “Don’t come to church without your sword.” However, the Greek makes it clear that the relative pronoun ‘which’ refers to the Spirit. This means that the Spirit is the word of God! This understanding opens a whole vista of revelation. Thanks to Greek, this is possible.

If God took great care to communicate His eternal purpose to humanity through human language, we should at least strive for the same in ministering the word. I’m not advocating rigid, stuffy formalism or technical jargon. Just a healthy dose of encouragement to practice developing our skill to convey God’s word whether through conversation or blogging.

Kevin DeYoung had a great article recently on writing well for those blogging about the divine truths. Here’s a preview:

All of us appreciate good writing. We may not know that, and if we know that we probably don’t know why. But we all prefer to read something written well. There’s a way to communicate the truth and have it sound muddled. There’s a way to make it understandable. And then there’s a way to make it sing. That’s the difference between clear prose and great prose.

Hagia Sophia—what religious architecture fails to attain

“Because the God who said, Out of darkness light shall shine, is the One who shined in our hearts to illuminate the knowledge of the glory of God in the face of Jesus Christ.”

-2 Corinthians 4:6

I’ve been commenting here and there on how existential views of man or theological concepts have shaped religious building works. Architecture is very philosophical and theories abound as to why or how we should build and what our built environment says about us. Romanesque, Gothic, Renaissance, Modern all, at their core, are tectonic theories about life.

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The Ineffable Lightness of Being

“Giving thanks to the Father, who has qualified you for a share of the allotted portion of the saints in the light; who delivered us out of the authority of darkness and transferred us into the kingdom of the Son of His love.”

-Colossians 1:12-13

Your portion as a Christian is “in the light.”

Gothic architecture may have been founded on similar theological notions, but the religious, creative mind of the day, in its attempt to materialize this truth in concrete terms, stripped it of its full import. Beautiful stained glass windows diffracted light into a kaleidoscopic metaphor of God and a whole new genre of religious art flourished. Medieval man’s experience of this ‘lux nova’ was confined to basking in the colorful glow of physical light. The resultant concept was that man could rise to the contemplation of the divine only through the senses- a physical experience of an immaterial abstraction.

The far reaching ripples of this objective or physical experience of God lap upon the shores of modern Christianity.

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Culture in Colossians

“We ought not to suppose that what is divine is like gold or silver or stone, like an engraving of art and thought of man.”

-Acts 17:29

I found these style descriptions on a promo website when the W Hotel in Dallas was under construction. I think they were trying to say that the W appeals to all style dispositions, no matter how your chromosomes are wired. Obviously they have made selective reductions in the style spectrum. Which one are you?

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Sonship- an Organic Theology

I wanted to say more about the organic emphasis in what’s termed sonship or adoption. If not in popular theology, at least in the Bible there is a definite emphasis placed on our growth in and experience of God’s life. As amazing as reconciliation is, the Bible itself says that there is something “much more.”

Much more we will be saved in His life, having been reconciled.  -Romans 5:10

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Greek Salad

Today marked the first post in a new category that I’m calling Greek Salad. A word of explanation is in order.

Rich in flavor yet light and with all the health benefits one could ask for in a quick lunch. An egalitarian attempt to represent the spectrum of food colors. What was once strange, unrecognizable, and picked-at became palatable and familiar. Exotic culinary parings combine to produce an exquisiteness that rallies the taste buds. This is what I think of when I think of a Greek salad.

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Begotten of God or Adopted by God?

Psalm 2:7- You are My Son; today I have begotten You.

Since taking a New Testament Greek class, I have been more interested in comparing Bible translations and their underlying Greek text. The Greek language is very expressive and often the nuances of certain words are strained through translation. Which version of the Bible you use makes a big difference, yet most Christians probably couldn’t tell you why they use a certain version.

Henry Alford in the 1800s, working to produce The Greek New Testament, said he labored for the “demolition of the unworthy and pedantic reverence for the received text, which stood in the way of all chance of discovering the genuine word of God.” That may be a harsh critique but it gets the point across.

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That Ubiquitous Bible

In honor of the first week of classes at UT, I’m posting the intro to the Gideon pocket size Bible… that ubiquitous little Bible.

First the pertinent facts: they come slightly larger than an iPhone and in full technicolor. And did you know the colors are significant? I didn’t.

  • Orange: for sidewalk distribution to middle/high school students
  • Green: for college/university students
  • Red: for in-school distribution to Middle/High school students
  • Digital Camouflage/Desert Camouflage: for the military
  • Dark blue: for law enforcement personnel, firefighters, and EMTs
  • White: for medical professionals
  • Light blue: for distribution by the Auxiliary only
  • Brown: personal worker’s testaments (for individual witnessing by Gideons)
  • Periwinkle: personal worker’s testaments (for individual witnessing by the Auxiliary)

On the left are three of my copies, the first of which (red) I got on Oct 13, 1989, complete with dinosaur sticker inside the front cover. But lacking this intro.

If you haven’t ever read this, enjoy!

“The Bible contains the mind of God, the state of man, the way of salvation, the doom of sinners, and the happiness of believers. Its doctrines are holy, its precepts are binding, its histories are true, and its decisions immutable. Read it to be wise, believe it to be safe, and practice it to be holy. It contains light to direct you, food to support you, and comfort to cheer you. It is the traveler’s map, the pilgrim’s staff, the pilot’s compass, the soldier’s sword, and the Christian’s charter. Here paradise is restored, Heaven opened, and the gates of hell disclosed.

Christ is its grand subject, our good the design, and the glory of God its end. It should fill the memory, rule the heart, and guide the feet. Read it slowly, frequently, and prayerfully. It is a mine of wealth, a paradise of glory, and a river of pleasure. It is given you in life, will be opened at the judgment, and be remembered forever. It involves the highest responsibility, will reward the greatest labor, and will condemn all who trifle with its sacred contents.”

The Architectural Roots of Humanism (2)

Architecture is a powerful force.

It petrifies and lays down once and for all the movement of life. Form places provocations or limits on the use of space. Architecture is not merely a public service to provide an indoor environment for people to live and work. It is a philosophical statement about man.

The major difference between the Middle Ages and the Renaissance is their view of man. These views are reflected in their architecture.

A prominent abbot named Suger (he’s French, so sounds like soo-zhay) of St. Denis spearheaded a new philosophy near the middle of the 12th century, that challenged the Romanesque precedent of self-denial and austerity. This happened through his lux nova dogma and conception of “God is light.”

Gothic architecture was a technical response to a theological idea.

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The Architectural Roots of Humanism (1)

Lying quiet in the shadow of the Hellenistic flourish a few centuries before Christ, when Rome appropriated the architecture of the Greek and Etruscan colonies, it was selective in its borrowings and adapted geometry to a new use: the active experience of space through the novelty of the arch.Then there was the dome, and all of the sudden Imperial Rome was heralding its grandeur through large scale, massive, state funded architecture.

Architecturally, the Renaissance was a looking back upon and a scrutinizing of Classical antiquity, with the realization that they had gotten something right.

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